The words improv and comedy are so regularly used together, but comedy doesn’t have to be the goal. How do we define what ‘dramatic improv’ is and how is the audience experience different?
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Taking care of your scene partner. I've heard the phrase ‘Take care of your scene partner’ so many times in improv. But what do we really mean by it? What is it we need to do in order to make sure our partner is taken care of? And how does that impact the scene?
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As a form, the Harold is lauded by some and treated less reverentially by others… there’s no doubting that it’s had a huge impact on improv but, all these years since it was first invented, how relevant - and how watchable - is it now?
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